Recording
Initial recording sessions for the album took place exclusively at The Chapel in Encino, California in 1989. Co-producer, Rasta Li-Mon (R. Lee Manning) was the house engineer for owner, Dave Stewart of Eurythmics. The first sessions yielded two vinyl 45 singles, "Immigrant Song" b/w "Hey Hey What Can I Do" and "Whole Lotta Love" b/w "Tour-Telvis: A Bad Trip". Both singles were released by Birdcage Records in 1989.
After selling out multiple runs of the singles in various vinyl colors, Birdcage gave the go-ahead to record a full album. The original concept was to lampoon each Led Zeppelin album in its original order but that was scrapped for more of a hodgepodge approach that could include Dread Zeppelin live favorites like "Black Dog" and "Heartbreaker."
Un-Led-Ed was 90% finished when Dread Zeppelin were signed to I.R.S. Records who arranged for the final recording sessions at Club 56 Studio in Burbank, CA. Two songs were recorded: "Black Dog" and "(All I Want For Christmas Is) My Two Front Teeth." Both songs feature new drummer, Fresh Cheese 'n' Cheese (Paul Maselli). Original percussionist, Cheese (Curt Lichter), had left the band after the Chapel recordings.
"Hey Hey What Can I Do" and "Tour-Telvis: A Bad Trip" were not included on Un Led-Ed but appear on a Birdcage Records cassette-only compilation called Kom Gib Mir Deine Zeppelin and various I.R.S. single B-sides. "All I Want for Christmas Is My Two Front Teeth" appears on a 1990 I.R.S. Christmas sampler called Just in Time for Christmas.
A fourth extra track, "Un-Led-Ed," a psychedelic pastiche incorporating several songs from the album and meant to be somewhat of an overture, was cut from the album due to copyright considerations. The song appears as "Un-Led-Eddd (in 3D)" on Dread Zeppelin's 1995 album for Birdcage Records, No Quarter Pounder.
The album features a guest appearance by former Lemony Sykes vocalist George-John Chocolatto.
Read more about this topic: Un-Led-Ed
Famous quotes containing the word recording:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)