Novelty Car Features
The programme has always been able to come up with new ways to answer that old adage "What will they think of next?" For example, squeezing the 6'5" Jeremy Clarkson into a Peel P50, and then getting him to drive round central London and the BBC Television Centre. Clarkson then promptly described it as "the best car we've had on the show ever." The piece featured Clarkson in various interactions with BBC News journalists — specifically being pulled out of a lift while still in the car by Fiona Bruce (who was also the new muse for the Cool Wall), trying to get the car back from John Humphrys who had taken it for a joyride around the office, and driving to a meeting within the building and appearing in the background on BBC News 24. Ultimately, Clarkson suffered the final ignominy of being turned 180° by Dermot Murnaghan while stuck at a zebra crossing in a car with no reverse gear. Novelty features include:
- People carrier racing Series Five, Episode Five
- Clarkson opens the Chipping Norton lido by driving a Rolls-Royce into it Series Six, Episode Three
- The Peel P50 Series Ten, Episode Three
- Motorhome racing Series Ten, Episode Six
Read more about this topic: Top Gear Segments
Famous quotes containing the words novelty, car and/or features:
“No man’s thoughts are new, but the style of their expression is the never-failing novelty which cheers and refreshes men. If we were to answer the question, whether the mass of men, as we know them, talk as the standard authors and reviewers write, or rather as this man writes, we should say that he alone begins to write their language at all.”
—Henry David Thoreau (1817–1862)
“I marched in with the men afoot; a gallant show they made as they marched up High Street to the depot. Lucy and Mother Webb remained several hours until we left. I saw them watching me as I stood on the platform at the rear of the last car as long as they could see me. Their eyes swam. I kept my emotion under control enough not to melt into tears.”
—Rutherford Birchard Hayes (1822–1893)
“It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.”
—Christopher Lasch (b. 1932)