Theatre
| Year | Title | Role | Notes |
|---|---|---|---|
| 1992 | Tartuffe | Damis | Directed by Sir Peter Hall (Playhouse); play by Molière; Stephens' West End theatre debut |
| 1992 | Tamburlaine | Celebinus/King of Argier | Directed by Terry Hands (RSC); play by Christopher Marlowe |
| 1992 | Antony and Cleopatra | Pompey | Directed by John Caird (RSC); play by Shakespeare |
| 1992 | All's Well That Ends Well | Bertram | Directed by Sir Peter Hall (RSC); play by Shakespeare |
| 1993 | Wallenstein | Max Piccolomini | Directed by Tim Albery (RSC); play by Friedrich von Schiller |
| 1994 | Unfinished Business | Young Beamish | Directed by Steven Pimlott (RSC); play by Michael Hastings |
| 1994 | Coriolanus | Caius Marcius Coriolanus | Directed by David Thacker (RSC); play by Shakespeare |
| 1994 | A Midsummer Night's Dream | Lysander | Directed by Adrian Noble (RSC); play by Shakespeare |
| 1994 | Measure for Measure | Claudio | Directed by Steven Pimlott (RSC); play by Shakespeare |
| 1996 | A Streetcar Named Desire | Stanley Kowalski | Directed by Sir Peter Hall (The Haymarket); play by Tennessee Williams |
| 1998/99 | Phedre | Hippolytus | Directed by Jonathan Kent (Almeida & Brooklyn Academy); play by Jean Racine |
| 1998/99 | Britannicus | Nero | Directed by Jonathan Kent (Almeida & Brooklyn Academy); play by Jean Racine |
| 1999 | Ring Round the Moon | Hugo/Frederick | Directed by Gerry Gutierrez (Lincoln Center Theatre NY); play by Jean Anouilh; Stephens' Broadway debut |
| 2001 | Japes | Japes | Directed by Sir Peter Hall (The Haymarket); play by Simon Gray |
| 2001 | The Royal Family | Anthony Cavendish | Directed by Sir Peter Hall (The Haymarket); play by George S. Kaufman and Edna Ferber |
| 2004 | Hamlet | Hamlet | Directed by Michael Boyd (RSC); play by Shakespeare |
| 2004 | The Pilate Workshop | Jesus | Directed by Michael Boyd (RSC); play by Helen Edmundson, based on Ann Wroe's Pontius Pilate: The Biography of an Invented Man |
| 2007 | Betrayal | Jerry | Directed by Roger Michell (Donmar); play by Harold Pinter |
| 2007 | The Country Wife | Mr. Horner | Directed by Jonathan Kent (Haymarket); play by William Wycherley |
| 2009 | A Doll's House | Thomas (Torvald, Nora's husband, in the original) | Directed by Kfir Yefet (Donmar); play by Henrik Ibsen, adapted by Zinnie Harris |
| 2010 | The Real Thing | Henry | Directed by Anna Mackmin; play by Tom Stoppard |
| 2010 | Danton's Death | Georges Danton | Directed by Michael Grandage; play by Georg Büchner |
| 2012 | Private Lives | Elyot Chase | Directed by Jonathan Kent; play by Noël Coward |
Read more about this topic: Toby Stephens
Famous quotes containing the word theatre:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)
“A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.”
—Kenneth Tynan (1927–1980)