Glass
Sarpaneva's first international recognition in glass work came with a Grand Prix from the Milan Triennale in 1954 that included Sarpaneva's series Orkidea ("Orchid"), Kajakki ("Kayak"), and Lansetti ("Lancet") adopted for production by Iittala. He said of his favorite material:
Glass is very mysterious. It's changing all the time. That's what makes it magical. It released me from the conventional and the three-dimensional. It opened its deepest reaches to me and took me on a journey to a fourth dimension. I understood the opportunities that clear, transparent glass gives to an artist and designer.
The amoeboid abstraction "Lancet II" of the latter series, an asymmetrical clear-glass vase whose shape is only partly echoed by its hollow center, was selected by the U.S. magazine House Beautiful as "The Most Beautuful Design Object of the Year" 1954. At his hands distinctions between pure and applied art gradually became less and less meaningful – the glass vases he created in the 1950s exhibited clear sculptural qualities long before he decided to sever his connection with the vessel as a form in 1964 and to make pure sculpture in glass.
Read more about this topic: Timo Sarpaneva
Famous quotes containing the word glass:
“In the woods in a winter afternoon one will see as readily the origin of the stained glass window, with which Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest.”
—Ralph Waldo Emerson (1803–1882)
“Thou didst create the night, but I made the lamp.
Thou didst create clay, but I made the cup.
Thou didst create the deserts, mountains and forests,
I produced the orchards, gardens and groves.
It is I who made the glass out of stone,
And it is I who turn a poison into an antidote.”
—Muhammad, Sir Iqbal (1873–1938)
“Thales claimed that everything was water. He also put wine into water to sterilize it. Did he really believe he was putting water into water to sterilize it? Parmenides, like most Greeks, knew that wine was not water. But while lifting a glass of wine to his lips, he denied that motion was possible. Did he really believe that the glass was not moving when he lifted it?”
—Avrum Stroll (b. 1921)