Time Bomb - Time Bombs in Fiction

Time Bombs in Fiction

Time bombs are common plot devices used in action/thriller TV series, cartoons, films and video games, where the hero often escape the blast area or defuses the bomb at the last second. Many fictional time bombs are improvised, and usually involve a beeping sound with a large prominent countdown timer (on rare occasions, the timer will count up).

Such fictional appearances include:

  • Kojak, Knight Rider, MacGyver, Get Smart, Men in Black: The Series, 24, Sonic X, Hogan's Heroes, VR Troopers, and Walker, Texas Ranger on television;
  • James Bond: Goldfinger, Die Hard with a Vengeance, The Hindenburg, The Mask, The Peacemaker, Battle Royale, Battle Royale 2: Requiem and New Police Story in film;
  • Counter-Strike, Sonic Adventure 2, Metal Gear Solid 2: Sons of Liberty, Halo, F-Zero GX, Wolfenstein: Enemy Territory, Trauma Center: Under The Knife and Trauma Center Second Opinion in video games; and
  • Songs by The Old 97's, Dave Matthews Band, Chumbawamba, Godsmack, The Format, Rancid, Buckcherry, The Dismemberment Plan, Faber Drive and Beck titled "Time bomb" or "Timebomb".
  • The popular Super NES video game Chrono Trigger takes its name from the timer-detonator assembly of a time bomb, although the game itself has nothing to do with time bombs but with time travel instead.

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Famous quotes containing the words time, bombs and/or fiction:

    Ladies and gents. The time has passed. The time has passed. Got to be a better way. I say to you, can’t any longer, oh no, can’t any longer, play off black against old, young against poor.
    This country cannot house its houseless. Feed its foodless. They’re demanding a government of the people. Peopled by people. Our faith. Our compassion. Our courage on the gridiron. The basic
    indifference that made this country great.
    Jeremy Larner, U.S. screenwriter, and Michael Ritchie. Bill McKay (Robert Redford)

    Civilization is maintained by a very few people in a small number of places and we need only some bombs and a few prisons to blot it out altogether.
    Cyril Connolly (1903–1974)

    Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.
    Anthony Burgess (b. 1917)