The Restoration
An early example of this trend is William Congreve, one of the most important writers for the late 18th London stage. Although born in Yorkshire, Congreve grew up in Ireland and studied with Jonathan Swift in Kilkenny and at Trinity College, Dublin. After graduating, Congreve moved to London to study law at the Temple and pursue a literary career. His first play, The Old Bachelor (1693) was sponsored by John Dryden, and he went on to write at least four more plays. The last of these, The Way of the World (1700) is the one Congreve work regularly revived on the modern stage. However, at the time of its creation, it was a relative failure and he wrote no further works for the theatre.
With the accession to the throne of William of Orange, the whole ethos of Dublin Castle, including its attitude to the theatre, changed. Smock Alley stayed in existence until 1811 and new theatres, such as the Theatre Royal, Queens' Theatre, and The Gaiety Theatre opened during the 19th century. However, the one constant for the next 200 years was that the main action in the history of Irish theatre happened outside Ireland itself, mainly in London.
Read more about this topic: Theatre In Ireland
Famous quotes containing the word restoration:
“The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.”
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—Irving Kristol (b. 1920)