Recording
Garson brought together a mixture of musicians, most of whom were not credited on the album sleeve. Musician and electronic instrument collector Paul Beaver, who had done music effects for films, was chosen to perform the MOOG on the album since he was one of the few people on the West Coast who knew how to set up and use the synthesizer at the time. Beaver and Moog went to the California Audio Engineering Society convention in 1967 to showcase the Moog Synthesizer for the first time on the West Coast. Emil Richards, who had worked with such musicians as Frank Zappa, Marvin Gaye and Henry Mancini, was chosen to provide an assortment of percussive instrumental surprises throughout the album. Bassist Carol Kaye and drummer Hal Blaine, both top on-demand session musicians, were The Zodiac's rhythm section. Bud Shank, a top flute performer, and keyboardist Mike Melvoin were also used. Jacques Wilson wrote the album's narration, and folk singer Cyrus Faryar was chosen (suggested by Hassilev) to narrate over the album's exotic instrumentation.
The album was released in late 1967. The sleeve, by artist Abe Gurvin and art director William S. Harvey (who had worked together at Nonesuch Records), featured a florid psychedelic design. On the back, in large purple letters, were written the instructions: "Must be played in the dark".
Read more about this topic: The Zodiac : Cosmic Sounds
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)