The White Goddess
The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, based on earlier articles published in Wales magazine, corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. The White Goddess represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death," much similar to the Mother Goddess, inspired and represented by the phases of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies.
Graves argues that "true" or "pure" poetry is inextricably linked with the ancient cult-ritual of his proposed White Goddess and of her son.
Read more about The White Goddess: History, Poetry and Myth, "Celtic Astrology", Criticism
Famous quotes containing the word white:
“But seldom the laurel wreath is seen
Unmixed with pensive pansies dark;
There’s a light and a shadow on every man
Who at last attains his lifted mark—
Nursing through night the ethereal spark.
Elate he never can be;
He feels that spirits which glad had hailed his worth,
Sleep in oblivion.—The shark
Glides white through the phosphorus sea.”
—Herman Melville (1819–1891)