The War of The End of The World - Characters

Characters

  • Antônio Conselheiro
  • The Little Blessed One
  • The Lion of Natuba
  • João Abade (Abbot João)
  • The Dwarf
  • Father Joaquim
  • Barón de Cañabrava
  • Pajeú
  • Rufino
  • Galileo Gall
  • María Quadrado
  • Moreira César
  • Jurema
  • The Near-Sighted Journalist
  • João Grande (Big João)
  • Pires Ferreira
  • Antônio Vilanova
  • Antônio el Fogueteiro
Works by Mario Vargas Llosa
Novels
  • The Time of the Hero (1963)
  • The Green House (1966)
  • Conversation in the Cathedral (1969)
  • Captain Pantoja and the Special Service (1973)
  • Aunt Julia and the Scriptwriter (1977)
  • The War of the End of the World (1981)
  • The Real Life of Alejandro Mayta (1984)
  • Who Killed Palomino Molero? (1986)
  • The Storyteller (1987)
  • In Praise of the Stepmother (1988)
  • Death in the Andes (1993)
  • The Notebooks of Don Rigoberto (1997)
  • The Feast of the Goat (2000)
  • The Way to Paradise (2003)
  • The Bad Girl (2006)
  • The Dream of the Celt (2010)
Short story collection
  • The Cubs and Other Stories (1959)
Essays
  • The basis for interpretation of Ruben Dario (1958)
  • The Perpetual Orgy (1975)
  • The Temptation of the Impossible (2004)
Essay collections
  • A Writer's Reality (1991)
  • A Fish in the Water (1993)
  • Making Waves (1997)
  • Letters to a Young Novelist (1997)
  • The Language of Passion (2001)

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Famous quotes containing the word characters:

    “Though they be mad and dead as nails,
    Heads of the characters hammer through daisies;
    Break in the sun till the sun breaks down,
    And death shall have no dominion.”
    —Dylan Thomas (1914–1953)

    “The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of human history.”
    —John Dos Passos (1896–1970)

    “His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
    —Vladimir Nabokov (1899–1977)