Composition
In the summer of 1901, Potter was working on The Tale of Squirrel Nutkin, but took time to develop a tale about a poor tailor she heard in the Gloucestershire home of her cousin Caroline Hutton probably in 1897. The tale was finished by Christmas 1901, and presented as a holiday gift to ten-year-old Freda Moore, the daughter of her former governess.
The tale was based on a real world incident involving John Pritchard (1877-1934), a Gloucester tailor commissioned to make a suit for the new mayor. He returned to his shop on a Monday morning to find the suit completed except for one buttonhole. A note attached read, "No more twist". His assistants had finished the coat in the night, but Pritchard encouraged a fiction that fairies had done the work and the incident became a local legend.
Potter sketched the Gloucester street where the tailor's shop stood as well as cottage interiors, crockery, and furniture. The son of Hutton's coachman posed as a model for the tailor. In Chelsea, Potter was allowed to sketch the interior of a tailor's shop to whose proprietor she would later send a copy. She visited the costume department at the South Kensington Museum to refine her illustrations of 18th century dress.
Potter later borrowed Freda Moore's gift copy, revised the work, and privately printed the tale in December 1902. She marketed the book among family and friends and sent a copy to her publisher who made numerous cuts in both text and illustrations for the trade edition, chiefly among the tale's many nursery rhymes.
Although Pritchard was a contemporary of hers (he was about 11 years younger than Potter and in his twenties when the incident took place), Potter's tailor is shown as middle-aged and the action is set in the 18th century.
Read more about this topic: The Tailor Of Gloucester
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