Plot
Jerry inherits some old possessions of his grandfather Irving. Among them is a statue that looks just like one George's family had, until George broke it. Jerry promises that George can have it, but leaves it in his apartment for a few days. Kramer takes a few of Irving's old clothes, including a hat which he believes makes him look like Joe Friday of Dragnet. Elaine persuades Jerry to have his apartment cleaned by her client Rava's (Nurit Koppel) boyfriend Ray (Michael D. Conway). Jerry is very impressed by the quality of the cleaning; but when he and Elaine visit Rava, Jerry notices a statue with a vivid similarity to the one he inherited, and believes Ray stole it. He calls Kramer to check his apartment, and when Kramer cannot find the statue there, Jerry’s suspicion is confirmed.
Jerry, Elaine, George and Kramer discuss the situation and Kramer urges Jerry to do something about it, but Elaine argues that Rava will no longer let her edit her book if Jerry does this. Jerry calls Ray and has lunch with him, while George sits in the next booth and eavesdrops on their conversation. Jerry asks him about the statue, but Ray gets offended and leaves when he hears Jerry's opinion. Elaine and Rava get into an argument about Jerry's accusation, and Elaine is no longer allowed to edit Rava's book. Without notifying anybody, Kramer dresses up in Irving's old clothes and goes to Ray's apartment, pretending to be a cop, and steals back the statue. Kramer returns the statue to a grateful George. But while George is holding the statue, Kramer gives him a friendly pat on the back, causing George to drop the statue, which breaks when it hits the floor. The episode ends without ever revealing whether or not Ray had in fact stolen the statue from Jerry's apartment.
Read more about this topic: The Statue
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)