Musical Style
Morrissey and Johnny Marr dictated the musical direction of The Smiths. Marr said in 1990 that it "was a 50/50 thing between Morrissey and me. We were completely in sync about which way we should go for each record". The band's "non-rhythm-and-blues, whiter-than-white fusion of 1960s rock and postpunk was a repudiation of contemporary dance pop" – the style popular in the early 1980s. The band purposely rejected synthesisers and dance music. It sometimes used Sergei Prokofiev's Montagues and Capulets as entrance music at live shows.
Marr's jangly Rickenbacker guitar-playing was influenced by Roger McGuinn of The Byrds, Neil Young's work with Crazy Horse, George Harrison and James Honeyman-Scott of The Pretenders. Marr often tuned his guitar up a full step to F-sharp to accommodate Morrissey's vocal range, and also used open tunings. Citing producer Phil Spector as an influence, Marr said, "I like the idea of records, even those with plenty of space, that sound 'symphonic'. I like the idea of all the players merging into one atmosphere". Marr's other favourite guitarists are James Williamson of The Stooges, Pete Townshend of The Who, Jimi Hendrix, Marc Bolan, Keith Richards and John McGeoch of Magazine and Siouxsie and the Banshees.
Morrissey's role was to create vocal melodies and lyrics. Morrissey's songwriting was influenced by punk rock and post-punk bands such as the New York Dolls, The Cramps, and The Cult, along with 1960s girl groups, and singers such as Dusty Springfield, Sandie Shaw, Marianne Faithfull, and Timi Yuro. Morrissey's lyrics, while superficially depressing, were often full of mordant humour; John Peel remarked that The Smiths were one of the few bands capable of making him laugh out loud. Influenced by his childhood interest in the social realism of 1960s "kitchen sink" television plays, Morrissey wrote about ordinary people and their experiences with despair, rejection and death. While "songs such as 'Still Ill' sealed his role as spokesman for disaffected youth", Morrissey's "manic-depressive rants" and his "'woe-is-me' posture inspired some hostile critics to dismiss the Smiths as 'miserabilists.'"
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