Original Interpreters
| Role | Mariinsky 1890 | Bolshoi 1899 |
|---|---|---|
| King Florestan | Feliks Krzesiński | |
| Queen | Giuseppina Cecchetti | |
| Aurora | Carlotta Brianza | Lyubov Roslavleva |
| Lilac Fairy | Marie Petipa | M. Grachevskaya |
| Carabosse | Enrico Cecchetti | Vasiliy Geltser |
| Prince Désiré | Pavel Gerdt | Ivan Khlyustin |
| Bluebird | Enrico Cecchetti | |
| Princess Florine | Varvara Nikitina |
The ballet's premiere received more favorable accolades than Swan Lake from the press but Tchaikovsky never had the luxury of being able to witness his work become an instant success in theatres outside of Russia. He died in 1893. By 1903, The Sleeping Beauty was the second most popular ballet in the repertory of the Imperial Ballet (the Petipa/Pugni The Pharaoh's Daughter was first), having been performed 200 times in only 10 years.
A production mounted at the La Scala in Milan did not arouse much interest and it was not until 1921 that, in London, the ballet finally gained wide acclaim and eventually a permanent place in the classical repertoire. In 1999, the Mariinsky Ballet reconstructed the original 1899 production, including reproductions of the original sets and costumes. Although the 1951 Kirov production by Konstantin Sergeyev is available on DVD/Video, the 1999 "authentic" version is only available in short excerpts as of 2007.
The Sleeping Beauty is Tchaikovsky's longest ballet, lasting nearly four hours at full length - counting the intermissions. Without intermissions (as it appears on several CD sets), it lasts nearly three hours. It is nearly always cut.
At the premiere Tsar Alexander III summoned Tchaikovsky to the imperial box. The Tsar made the simple remark 'Very nice,' which seemed to have irritated Tchaikovsky, who had likely expected a more favorable response.
Read more about this topic: The Sleeping Beauty (ballet)
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