Structure
Spark unfolds her plots not sequentially, but piece by piece, making extensive use of the narrative technique of prolepsis (flash-forward). For example, the reader is aware early on that Miss Brodie is betrayed, though sequentially this happens at the end of their school years. Gradually Spark reveals the betrayer, and lastly all the details surrounding the event are told. Spark develops her characters in this way, too: Joyce Emily is introduced right away as the girl who is rejected from the Brodie set. With this technique, the narrator of the story is omniscient and timeless, relating the entire plot all at once.
Spark creates deep characterizations which are realistic in their human imperfections. Hal Hager, in his commentary on the novel, writes of Sandy and Miss Brodie: "The complexity of these two characters, especially Jean Brodie, mirrors the complexity of human life. Jean Brodie is genuinely intent on opening up her girls' lives, on heightening their awareness of themselves and their world, and on breaking free of restrictive, conventional ways of thinking, feeling, and being".
Read more about this topic: The Prime Of Miss Jean Brodie (novel)
Famous quotes containing the word structure:
“A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.”
—Vladimir Nabokov (1899–1977)
“Women over fifty already form one of the largest groups in the population structure of the western world. As long as they like themselves, they will not be an oppressed minority. In order to like themselves they must reject trivialization by others of who and what they are. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”
—Germaine Greer (b. 1939)
“... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.”
—Robert Musil (1880–1942)