Criticism
The Power and the Glory was somewhat controversial and, in 1953, Cardinal Bernard Griffin of Westminster, summoned Greene and read him a pastoral letter condemning the novel. According to Greene:
The Archbishop of Westminster read me a letter from the Holy Office condemning my novel because it was "paradoxical" and "dealt with extraordinary circumstances." The price of liberty, even within a Church, is eternal vigilance, but I wonder whether any of the totalitarian states ... would have treated me as gently when I refused to revise the book on the casuistical ground that the copyright was in the hands of my publishers. There was no public condemnation, and the affair was allowed to drop into that peaceful oblivion which the Church wisely reserves for unimportant issues.
Evelyn Waugh in Greene's defence wrote, "It was as fatuous as unjust — a vile misreading of a noble book." In 1965, Greene met Pope Paul VI, who assured him, "Mr. Greene, some aspects of your books are certain to offend some Catholics, but you should pay no attention to that." In 1953, ten years before he became Paul VI, Mgr. Giovanni Battista Montini had defended The Power and the Glory against other churchmen who wanted to censor it. Many novelists consider the novel to be Greene's masterpiece, as John Updike claimed in his introduction to the 1990 reprint of the novel. On its publication, William Golding claimed Greene had "captured the conscience of the twentieth century man like no other."
Read more about this topic: The Power And The Glory
Famous quotes containing the word criticism:
“When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance. He becomes a source of blessings rather than wages. Criticism is sacrilege, doubt is heresy.”
—Ben Hecht (1893–1964)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)