The Passion of Vincent van Gogh is an opera in three acts and eighteen scenes by composer Christopher Yavelow. The opera was commissioned by the National Endowment for the Arts and composed at the Camargo Foundation in 1983 during a Camargo Fellowship in Cassis, France. The English libretto by the composer is taken from the letters of Vincent van Gogh (with permission from the Vincent van Gogh Foundation), Paul Gauguin's journal, and additional official documents relating to Vincent van Gogh. Each line is footnoted in the score and libretto. A German translation by Monique Fasel appears in both the score and libretto. Research for the opera was supported by the International Research and Exchanges Board (IREX) and by the American Council of Learned Societies and the Social Science Research Council. An abridged version of the opera premiered at the University of Texas at Dallas on April 14, 1984.
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“One could love reason like an Encyclopaedist and still be favorably inclined toward mysticism. Throughout the ages, up to the eyes of van Gogh, when he looked at a coffee pot or a garden path, mysticism has expanded the human realm by all sorts of threshold experiences.”
—Robert Musil (1880–1942)
“It is obvious that we can no more explain a passion to a person who has never experienced it than we can explain light to the blind.”
—T.S. (Thomas Stearns)
“Pity me that the heart is slow to learn
What the swift mind beholds at every turn.”
—Edna St. Vincent Millay (1892–1950)
“If there is a case for mental events and mental states, it must be that the positing of them, like the positing of molecules, has some indirect systematic efficacy in the development of theory.”
—Willard Van Orman Quine (b. 1908)
“It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after van Gogh’s stay upon earth, maintain the same gravitation.”
—Antonin Artaud (1896–1948)