The Passion of Vincent van Gogh is an opera in three acts and eighteen scenes by composer Christopher Yavelow. The opera was commissioned by the National Endowment for the Arts and composed at the Camargo Foundation in 1983 during a Camargo Fellowship in Cassis, France. The English libretto by the composer is taken from the letters of Vincent van Gogh (with permission from the Vincent van Gogh Foundation), Paul Gauguin's journal, and additional official documents relating to Vincent van Gogh. Each line is footnoted in the score and libretto. A German translation by Monique Fasel appears in both the score and libretto. Research for the opera was supported by the International Research and Exchanges Board (IREX) and by the American Council of Learned Societies and the Social Science Research Council. An abridged version of the opera premiered at the University of Texas at Dallas on April 14, 1984.
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“It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after van Gogh’s stay upon earth, maintain the same gravitation.”
—Antonin Artaud (1896–1948)
“Control thy passion lest they take vengence on thee.”
—Epictetus (c. 50–120)
“All I could see from where I stood
Was three long mountains and a wood;”
—Edna St. Vincent Millay (1892–1950)
“Upon entering my vein, the drug would start a warm edge that would surge along until the brain consumed it in a gentle explosion. It began in the back of the neck and rose rapidly until I felt such pleasure that the world sympathizing took on a soft, lofty appeal.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“It is not the language of painters but the language of nature which one should listen to.... The feeling for the things themselves, for reality, is more important than the feeling for pictures.”
—Vincent Van Gogh (1853–1890)