Criticism
According to author, professor, and director of the cinema department at San Francisco State University, Daniel Leonard Bernardi in his book, Star Trek and History: Race-ing Toward a White Future: ""The Paradise Syndrome" stereotypes Native-Americans as noble savages and whites as "normal" and even divineMiramanee cannot figure out how to pull Kirk's shirt off, as she cannot find any lacing. She is portrayed as simpleminded, not that bright. This is not the case with Kirk. Moments before, he has fashioned a lamp from an old piece of pottery and saved a boy by using mouth-to-mouth resuscitation. Despite his amnesia, he is shown as naturally superiorWhen the Indians realize that Kirk is not a god, they stone both him and Miramanee (it's the Indians who are violent in this version of the noble savage stereotype). Spock and McCoy eventually intervene, but only Kirk survives. In this take on a standard white/red miscegenation narrative, the native girl dies so that Kirk, the white male hero, isn't shown unheroically and immorally leaving her and their unborn baby behind."
Read more about this topic: The Paradise Syndrome
Famous quotes containing the word criticism:
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)