In Popular Culture
A wide variety of popular media, including films, television, theatre, and advertising have referred to, parodied or pastiched The Mikado or its songs, and phrases from the libretto have entered popular usage in the English language. Some of the best-known of these cultural influences are described below.
Groucho Marx, a lifelong fan of Gilbert and Sullivan, starred as Ko-Ko in a made-for-TV production of The Mikado in 1960. Other well-known actors who have played the role of Ko-Ko include Eric Idle and then Bill Oddie, with English National Opera's production of The Mikado. Dudley Moore played the role when the production toured the United States.
Quotes from The Mikado were infamously used in letters to the police by the Zodiac Killer, who murdered at least five people in the San Francisco Bay area between 1966 and 1970. The Mikado is parodied by Sumo of the Opera, which credits Sullivan as the composer of most of its songs. In 2007, the Asian American theatre company, Lodestone Theatre Ensemble, produced The Mikado Project, an original play by Doris Baizley and Ken Narasaki. It was a deconstruction of the opera premised on a fictional Asian American theatre company attempting to raise funds, while grappling with perceived racism in productions of The Mikado, by producing a revisionist version of the opera. This was adapted as a film, directed by Chil Kong, in 2010. The detective novel Death at the Opera (1934) by Gladys Mitchell is set against a background of a production of The Mikado.
Popular media have referred to The Mikado in numerous ways. For example, the climax of the 1978 film Foul Play takes place during a performance of The Mikado. A second-season (1998) episode of the TV show Millennium titled "The Mikado" is based on the Zodiac case. In the 2010 episode "Robots Versus Wrestlers" of the TV sitcom How I Met Your Mother, at a high-society party in a Manhattan penthouse, Marshall disdainfully whacks an antique Chinese gong. The host rebukes him: "Young man, that gong is a 500-year-old relic that hasn't been struck since W. S. Gilbert hit it at the London premiere of The Mikado in 1885!" Marshall quips, "His wife's a 500-year-old relic that hasn't been struck since W. S. Gilbert hit it at the London premiere...."
Beginning in the 1880s, Mikado trading cards were created that advertised various products. "The Mikado" is a villainous vigilante in the comic book superhero series The Question, by Denny O'Neil and Denys Cowan. He dons a Japanese mask and kills malefactors in appropriate ways—letting "the punishment fit the crime". In addition, the name was applied to the 2-8-2 railroad locomotive when an early production run of these locomotives, built in the U.S., was shipped to Japan in 1893.
In 1888, Ed J. Smith wrote a stage parody called The Capitalist; or, The City of Fort Worth. Designed to encourage capital investment in Fort Worth, Texas, and underwritten by local banks and railroad lines, the two act piece features characters named Yankee-Doo, Kokonut, By-Gum and Peek-A-Boo.
Read more about this topic: The Mikado
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culturelack of information, misinformation, disinformation, and a contempt for the truth or the reality of most peoples liveshas overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.”
—John Berger (b. 1926)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writinghe will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (19051975)