The Show
The celebration began with a torchlit parade down Chancery Lane, headed by fifty gentlemen on horseback, followed by the figures of the anti-masque, boys dressed as baboons in "Neapolitan suits and great ruffs," and the musicians and masquers in chariots. At Whitehall, Jones's stage set was a golden mountain. Next to it on either side were a silver temple, octagonal and domed, and a hollow tree — representing the poles of experience of masque and anti-masque: temple for the masquers, tree for the "baboons." The presenters were figures of classical mythology and personifications typical of the masque form: Plutus; a personified Honor, with Eunomia, one of the three Hours, as her priestess; and Capriccio, a Commedia dell'arte-style figure. The golden rock moved forward toward the viewers, then split open to release the anti-masquers. Later the top of the mountain opened to reveal the principal masquers and a crew of torchbearers. The torchbearers danced with torches lit at both ends; then the masquers danced their dances, finally joined by the audience. The general reaction was highly positive, giving the masque a reputation as one of the best-received works of its type in the Stuart era.
Read more about this topic: The Memorable Masque Of The Middle Temple And Lincoln's Inn
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