Plot
In the main plot of the Heywood/Brome play, an upright and hospitable gentleman named Generous discovers that his wife has a secret nocturnal life, as the leader of a coven of witches; his miller wounds her with his sword while she is in the shape of a cat. When one of her servants refuses to get her horse, Mistress Generous bridles him instead and rides him to her coven. The conventional male-dominated relationship between husband and wife is subverted as Mistress Generous seeks greater freedom – until she is arrested and brought to trial. In the Seely family depicted in the subplot, the upset of social norms is even more extreme: the father is cowed by his son, the mother by her daughter, and the children by the servants. The family's butler and maid, Lawrence and Parnell (the only characters in the play who speak in Lancashire dialect), marry, determined to lord it over their employers; but Lawrence is rendered impotent on his wedding night by a bewitched codpiece, and once again the woman inverts the usual social order. It is with the discovery and prosecution of the witches that society's norms are restored.
Read more about this topic: The Late Lancashire Witches
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)