Production
The episode uses the full opening sequence because the story came out short. Despite this, a large sequence was cut from the middle of the episode, with half of the episode having to be re-written after the animatic had been finished. The main plot of the episode came from an original idea that the family would be issued a credit card in the name "Hobart Simpson" and that Bart would use that. An original side-story was that Lisa would become addicted to the "Trucker's Choice" pep pills. Originally, instead of going to the dog park, the family took Laddie to a waterfall and he performed a series of dives, but it was scrapped as it had already been proven that Laddie was a form of "superdog". Likewise, Laddie rescuing Baby Gerald was originally a complicated rescue scene, but was cut into showing the aftermath.
Laddie was designed to resemble a real dog. The catalog Bart uses is a combination of the Lillian Vernon catalog and The Sharper Image. The opening stemmed from the fact that the show had not had a sequence where the family received mail, and the writers wanted to create a joke about the different types of mail each of the family get. After Bart's "dog burning" fantasy, when he hears a ship's horn in the distance, there was originally going to be a faint cry of "more dogs", but it was deemed that it took the joke too far. Hank Azaria ad-libbed the entire sequence during the credits in which Chief Wiggum and Lou sing along to "Jammin'".
Read more about this topic: The Canine Mutiny
Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (18691940)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (19001980)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)