The Bridge (long Poem) - Composition

Composition

According to the 1988 Voices and Visions PBS documentary on Crane, when Crane first began to write The Bridge, he "felt. . .stuck and was incapable of writing more than a few lines." Around this time Crane wrote, "Emotionally I should like to write The Bridge. Intellectually the whole theme seems more and more absurd. The very idea of a bridge is an act of faith. The form of my poem rises out of a past that so overwhelms the present with its worth and vision that I'm at a loss to explain my delusion that there exists any real links between that past and a future destiny worthy of it. If only America were half as worthy today to be spoken of as Whitman spoke of it fifty years ago, there might be something for me to say." As the poem began to take shape and showed promise, Crane wrote, "The Bridge is symphonic in including all the strands: Columbus, conquest of water, land, Pocohantas, subways, offices. The Bridge, in becoming a ship, a world, a woman, a tremendous harp as it does finally, seems to really have a career."

Read more about this topic:  The Bridge (long Poem)

Famous quotes containing the word composition:

    There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.
    Anthony Trollope (1815–1882)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.
    Henry David Thoreau (1817–1862)