Television
The TV show, seen on NBC from January 12, 1959 to the summer of 1968, was one of the first TV series to be telecast exclusively in color, using the color TV system perfected by RCA in 1954. It aired every week on Friday evenings at 10:00 PM, then was switched to Tuesday evenings at 10:00 P.M. in 1963. It was noted for its Christmas specials, frequently featuring opera stars as well as stars of musical theater and ballet. In the fall of 1965, the show was switched to an earlier time slot of Sundays at 6:30pm.
Beginning in 1965, the program sometimes had to share its time slot with an NBC news series called Actuality Specials on NBC, and was telecast every other week. In the fall of 1963, the program alternated with The Andy Williams Show.
During its last season, 1967-1968, the program was switched back to its old Friday night time slot and the format changed from a videotaped and mostly musical presentation to filmed documentaries about classical musicians made on location.
One of the most notable of the Bell Telephone Hour documentary programs combined a tour of the Museo del Prado in Madrid, with performances by such noted Spanish musicians as Andrés Segovia, Alicia de Larrocha, and Victoria de los Ángeles. Another was a profile of Cleveland Orchestra conductor George Szell. This one was not a biography of Szell, but a documentary showing how he worked with the orchestra.
One of the last, and most notable episodes done in the videotape format, was "First Ladies of Opera", featuring Joan Sutherland, Leontyne Price, Renata Tebaldi and Birgit Nilsson, all on one program. In 1976, footage from the TV series was edited into a 90-minute documentary, The Bell Telephone Jubilee, aka Jubilee.
Read more about this topic: The Bell Telephone Hour
Famous quotes containing the word television:
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)