Thai Television Soap Opera - Characters

Characters

Lakorns have very distinctive, though formulaic, characters and narrative conventions. Though some stray from these conventions, most adhere to them, especially ones that are very popular among Thai viewers.

  • They are always about achieving a perfect ending in which the leading characters marry their soulmates and live happily ever after.
  • The two main lovers are established at the beginning of the series. Viewers have no difficulties singling them out of the crowd for they tend to be the most popular soap-opera stars of the moment. The Male Lead role usually called Phra Ek (พระเอก) as the main actress had named Nang Ek (นางเอก)
  • The presence of one "bad" female character, sometimes more, is commonplace. This is the person who is totally in love with the male lead and will do all that is necessary to stop the two would-be lovers from fulfilling their destined ending. She tries everything to be the main actor's girlfriend and always tries to get rid of the main actress. She is often a stereotypical character who does not hesitate to do bad, bad things to the main actress including trying to steal her boyfriend before the wedding. She mostly a rich girl or comes from a good family background, but has the nasty behaviour and is manipulative. Few of these characters are kind. She is usually a living person, but a few of these characters can be evil, dead women who come back as ghosts. The most popular ones are Poot Mae Nam Khong or the remake of Pob Pee Fa. Nang Rai or Nang Itcha (นางอิจฉา) is a famous name for Thai viewer.
  • "Katoei" (กะเทย - man dressed like a woman) are often used as comic relief. Sapai Look Tung is a popular for this role.
  • In the end, all conflicts in the story must be resolved. Everyone forgives each other. The "bad" guys receive their punishments and the "good" guys receive their rewards. However, some lakorns end with unsolvable problems such as Poot Mae Nam Khong.
  • Lakorns are often melodramatic to the point of becoming camp. Most productions are written and produced with the assumption that the more melodramatic it is, the better. This is why situations are grossly exaggerated, actions are overly theatrical, and screams and shrieks (from the bad female) numerous.

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