The Texas Centennial Exposition was a World's Fair held at Fair Park in Dallas, Texas (USA) to celebrate the 100th anniversary of Texas's independence from Mexico in 1836. More than 50 buildings, for which "George Dahl was director general of a group of architects who designed the buildings," were constructed for the Exposition, which ran from June 6, 1936 to November 29, 1936. The exposition attracted 6,353,827 million visitors, and cost around $25 million. The exposition was credited for buffering Dallas from the Great Depression, creating over 10,000 jobs and giving a $50 million boost to the local economy.
The Cavalcade of Texas, a historical pageant covering four centuries of Texas history, was one of the most popular attractions at the Exposition. The Hall of Negro Life was another popular attraction and is believed to be the first recognition of African-American culture at a World's Fair. The Texas Centennial Olympics held in the Cotton Bowl hosted the first integrated public athletic competition in the history of the South. Universal produced a newsreel of the Centennial beauty pageant, which shows models attempting to fit into life-sized cutouts of the Texas Centennial Committee's concept of the "perfect figure."
President Franklin D. Roosevelt visited the exposition in a widely publicized event on June 12. Gene Autry's film The Big Show was filmed on location and shows many of the buildings and events of the event.
The Centennial Exposition required a massive publicity effort, but the promotion department was stymied by a lack of photographs. Never before had the state been photographed for advertising purposes. The Centennial Exposition hired Polly Smith to travel the state and tell the story of Texas through photos.
After a successful five-month run, the Texas Centennial Exposition was closed. The exhibits changed and reopened the following year as the Greater Texas & Pan-American Exposition.
Famous quotes containing the words texas and/or exposition:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.”
—Julia Marlowe (1866–1950)