Origins of The Ten Days of Repentance
Maimonides' (1135–1204) Laws of Repentance in his Mishneh Torah is one of the most authoritative sources for the name and function of these days, but he draws on earlier sources:
- "The term ... is not found in the Talmud Bavli, although the days referred to are mentioned there. The expression used in the Bavli is "the ten days between Rosh HaShanah and Yom HaKippurim." In the literature of the Geonim, we also find "the ten days from the beginning of Tishrei to Yom HaKippurim," "the first ten days of the month of Tishrei," "(the time) between Rosh HaShanah and Yom HaKippurim." But the term commonly used now, "Aseret Yemai Teshuvah," is also found in early sources. It is used in the Talmud Yerushalmi, by Pesikta Rabbati, a Midrash, and it is also found in the literature of the Geonim. But ever since the days of the Rishonim, literally the "first" or the "early" ones, referring to post-Talmudic and Geonic times; actually Torah scholars from approximately the eleventh century through the fifteenth, "Aseret Yemai Teshuvah" is the most popular title for this period of time in the Hebrew Calendar. The special character of these days ... in emphasis on "Teshuvah," Repentance, "Tefilla," Prayer and "Zehirut," Spiritual Vigilance."
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—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
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—William Shakespeare (1564–1616)