Production and Quality
A New York Times critic wrote in 1991 that "few artifacts of popular culture invite more condescension than the made-for-television movie". Network-made TV movies in the USA have tended to be inexpensively-produced and low quality; stylistically, they often resemble single episodes of dramatic television series. Often they are made to "cash in" on the interest centering on stories currently prominent in the news, as the Amy Fisher films were. The stories are written to reach periodic semi-cliffhangers coinciding with the network-scheduled times for the insertion of commercials; they are further managed to fill, but not exceed, the fixed running times allotted by the network to each movie "series". The movies tend to rely on small casts and a limited range of settings and camera setups. Even Spielberg's Duel, while a well-crafted film, features a very small cast (apart from Weaver, all other acting roles are bit-parts) and mostly outdoors shooting locations in the desert. The movies are typically made by smaller crews, and they rarely feature expensive special effects. While it would have been less expensive to film on the new media form of video, as the movies were contracted by TV studios it was required that they be turned in on 35mm film. Various techniques are often employed to "pad" TV movies with low budgets and underdeveloped scripts, such as music video-style montages, flashbacks, or repeated footage, and extended periods of dramatic slow motion footage. However, the digital 24p video format has made some improvements on the TV movie market.
Read more about this topic: Television Film
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