Modern Responses
The play's status as a pro-feminist, proto-feminist, or quasi-feminist text has earned it an ever-growing body of commentary, analysis, and criticism from modern scholars. Some attention has focused on the degree to which the play is or isn't a feminist work; critics have noted that Swetnam subordinates its polemical concerns to its subplot, while the main plot deals with high-flown romantic love.
The play was produced in 2004, in what is believed to be its US premiere, by the Airmid Theatre Company (www.airmidtheatre.org) as part of the Play Outside festival in New York City.
Read more about this topic: Swetnam The Woman-Hater
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