Works
Vivekananda left a body of philosophical works. Only a handful of those were published during his lifetime. A notable theme in his works is different ways of worshiping suggested for varied types of individuals. Vivekananda observed that human could be classified into four categories—those who were in constant activity, or the worker; those who were driven by their inner urge, or the emotional; those who tended to analyse the working of their minds, or the mystical; and those who weighed everything with reason, or the rational. So he discussed four ways of worships—Karma yoga for the worker, Bhakti yoga for the emotional, Raja yoga for the mystical, and Jnana yoga for the rational. Majority of his published works were compiled from lectures given around the world. Vivekananda was a singer and a poet, and composed many songs and poems including his favourite Kali the Mother. He blended humour in his teachings; his language was lucid. His Bengali writings stand testimony to the fact that he believed that words—spoken or written—should be for making things easier to understand rather than show off the speaker or writer's knowledge.
Read more about this topic: Swami Vivekananda
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.”
—Bible: New Testament, Matthew 5:15,16.
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)