Emergence in Philosophy, Religion, Art and Human Sciences
In philosophy, emergence is often understood to be a much stronger claim about the etiology of a system's properties. An emergent property of a system, in this context, is one that is not a property of any component of that system, but is still a feature of the system as a whole. Nicolai Hartmann, one of the first modern philosophers to write on emergence, termed this categorial novum (new category).
In religion, emergence grounds expressions of religious naturalism in which a sense of the sacred is perceived in the workings of entirely naturalistic processes by which more complex forms arise or evolve from simpler forms. Examples are detailed in a 2006 essay titled 'The Sacred Emergence of Nature' by Ursula Goodenough and Terrence Deacon and a 2006 essay titled 'Beyond Reductionism: Reinventing the Sacred' by Stuart Kauffman.
In art, emergence is used to explore the origins of novelty, creativity, and authorship. Some art/literary theorists (Wheeler, 2006; Alexander, 2011) have proposed alternatives to postmodern understandings of "authorship" using the complexity sciences and emergence theory. They contend that artistic selfhood and meaning are emergent, relatively objective phenomena. The concept of emergence has also been applied to the theory of literature and art, history, linguistics, cognitive sciences, etc. by the teachings of Jean-Marie Grassin at the University of Limoges (v. esp.: J. Fontanille, B. Westphal, J. Vion-Dury, éds. L'Émergence—Poétique de l'Émergence, en réponse aux travaux de Jean-Marie Grassin, Bern, Berlin, etc., 2011; and: the article "Emergence" in the International Dictionary of Literary Terms (DITL).
In postcolonial studies, the term "Emerging Literature" refers to a contemporary body of texts that is gaining momentum in the global literary landscape (v. esp.: J.M. Grassin, ed. Emerging Literatures, Bern, Berlin, etc. : Peter Lang, 1996). By opposition, "emergent literature" is rather a concept used in the theory of literature.
Read more about this topic: Strong Emergence
Famous quotes containing the words emergence, art, human and/or sciences:
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (1893–1964)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
“Nature predominates over the human will in all works of even the fine arts, in all that respects their material and external circumstances. Nature paints the best part of the picture, carves the best of the statue, builds the best part of the house, and speaks the best part of the oration.”
—Ralph Waldo Emerson (1803–1882)
“All cultural change reduces itself to a difference of categories. All revolutions, whether in the sciences or world history, occur merely because spirit has changed its categories in order to understand and examine what belongs to it, in order to possess and grasp itself in a truer, deeper, more intimate and unified manner.”
—Georg Wilhelm Friedrich Hegel (1770–1831)