Stevie Ray Vaughan's Musical Instruments
This is a list and description of the guitars and other equipment played by musician Stevie Ray Vaughan. Vaughan played a number of Fender Stratocasters throughout his career, one of which, a 1963 body and a late 1962 rosewood (curved fingerboard) neck, became "the most famous battered Strat in rock history." He was notoriously hard on his guitars, and many of them required extensive periodic maintenance. He used a limited number of (mainly vintage) effect pedals, and favored Fender and Marshall amplification.
Vaughan was hard on his instruments and his equipment and was reported to hear even the slightest malfunction, even when, for instance, he was running 32 amplifiers into the mixing console for the recording of In Step. His guitars were serviced by Charley Wirz of Charley's Guitar Shop in Dallas, Texas, and especially Rene Martinez, who worked in Wirz's shop for a while. Martinez also built guitars for Carlos Santana. His amplifiers were tuned and serviced by César Díaz, also the guitar technician for Eric Clapton and Bob Dylan.
Read more about Stevie Ray Vaughan's Musical Instruments: Number One, Yellow, Red, Main, Scotch, Charley, Lenny, Guild Acoustic, Amplifiers, Effects, References
Famous quotes containing the words ray, vaughan, musical and/or instruments:
“The gods are partial to no era, but steadily shines their light in the heavens, while the eye of the beholder is turned to stone. There was but the sun and the eye from the first. The ages have not added a new ray to the one, nor altered a fibre of the other.”
—Henry David Thoreau (1817–1862)
“For each inclosed spirit is a star
Enlightening his own little sphere,”
—Henry Vaughan (1622–1695)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“But when to mischiefmortals bend their will,
How soon they find fit instruments of ill!”
—Alexander Pope (1688–1744)