Background and Recording
After the critical and commercial success of 1975's Red Headed Stranger, Nelson became one of the most recognized artists in country music. He replicated this success in 1976, releasing Wanted! The Outlaws (featuring Waylon Jennings, Jessi Colter and Tompall Glaser), which became the genre's first certified platinum album.
By 1977, Nelson had decided to record a collection of American pop standards. During that time, Nelson was living in the same neighborhood in Malibu as producer Booker T. Jones. The two became friends, and Nelson asked Jones to arrange "Moonlight in Vermont". Pleased by the results, Nelson later asked Jones to produce an entire standards album for him. Nelson selected his ten favorite pop songs from his childhood, starting with "Stardust". Nelson and his sister Bobbie had sheet music for the song that he had tried to perform with his guitar, but did not like that arrangement. Jones adapted the song for Nelson, who also picked for the album "Georgia on My Mind", "Blue Skies", "All of Me", "Unchained Melody", "September Song", "On the Sunny Side of the Street", "Moonlight in Vermont", "Don't Get Around Much Anymore" and "Someone to Watch Over Me".
The executives of Columbia Records were not convinced that the album would sell well, because the project was a radical departure from his earlier success in the outlaw movement. The album included pop, jazz and folk music styles, in addition to country. It was recorded from December 3–12, 1977.
Read more about this topic: Stardust (Willie Nelson Album)
Famous quotes containing the words background and/or recording:
“Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (1844–1900)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)