Music
Among the album's tracks, "Cristo Redemptor" has remained particularly important in Musselwhite's repertoire, standing as his signature song, although subsequent versions of the Duke Pearson cover have been longer. Musselwhite's music here is characterized by smooth harmonica a "harsh, almost strained voice" that Allmusic indicates is "considerably more affected than...later (clearer, more relaxed)". Mandel's guitar work, influential, features what Legends of Rock Guitar describes as "relentless fuzztone, feedback-edged solos, and unusual syncopated phrasing." Allmusic highlights the guitarist's "snakey stuttering style", particularly on track "Chicken Shack" in which it "truly makes you think your record is skipping." Bass player Bob Anderson, who later played with Howlin' Wolf, has been singled out for a noteworthy rendition of the classic root-♭3rd-4th progression in the song "Help Me".
Read more about this topic: Stand Back! Here Comes Charley Musselwhite's Southside Band
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“Good music is very close to primitive language.”
—Denis Diderot (1713–1784)