Origin and Design
Various concept sketches came from producer George Lucas' call for a "rocket-powered scooter" in Return of the Jedi. While Industrial Light & Magic's (ILM) Nilo Rodis-Jamero designed a blocky vehicle with a large engine, Ralph McQuarrie's designs were more fanciful but with less of a sense of the vehicle's power source. The final designs resulted in full-scale Imperial speeder bikes used by the actors for film against a bluescreen, along with miniatures mounted by articulated puppets. ILM used a steadicam recording at 1 frame per second to record the speeder bikes' path through the forest moon of Endor -- in reality, a California forest. Playing the footage at the standard rate of 24 frames per second caused a blurring effect, what looked like 100MPH actually was shot at 5MPH, which ILM used to simulate the vehicles' high speed.
The BARC speeder in Revenge of the Sith was designed to appear like a predecessor to the speeder bikes in Return of the Jedi. ILM's Doug Chiang designed Darth Maul's (Ray Park) speeder in The Phantom Menace to resemble a scythe, and Chiang's initial designs for the droid army's STAP vehicle resembled the speeder bikes from Return of the Jedi. An all-CGI swoop appearing in A New Hope stems from a design created for Star Wars: Shadows of the Empire, and the swoop also appears briefly in The Phantom Menace.
Read more about this topic: Speeder Bike
Famous quotes containing the words origin and, origin and/or design:
“We have got rid of the fetish of the divine right of kings, and that slavery is of divine origin and authority. But the divine right of property has taken its place. The tendency plainly is towards ... “a government of the rich, by the rich, and for the rich.””
—Rutherford Birchard Hayes (1822–1893)
“Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.”
—Henry David Thoreau (1817–1862)
“To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.”
—Marilyn French (20th century)