Speculative Poetry - History

History

Much of the Romantic poetry of the 19th century used techniques seen in modern fantasy literature: retellings of classical mythology and European folklore, both to show alternative angles in the stories and to explore social issues. Many distinguished poets here were women, and many used folktales as an acceptable social camouflage with which to explore feminist concerns. One of the most celebrated of these poems, Christina Rossetti's 1862 "Goblin Market", remains a source of critical debate.

In common with the gradual recognition of science fiction and fantasy as distinct literary genres in the 1930s, science-fictional poetry began publication as a distinct genre in the pulp magazines of the United States. Fantasy-specific Weird Tales (1923–1954) and its brief compatriot Unknown (1939–43) were the only major publishers. They were succeeded by more serious venues including the US-based The Magazine of Fantasy & Science Fiction (F&SF) (1949–), the UK-based flagship of the New Wave movement New Worlds while it was under the editorship of Michael Moorcock between 1964 and 1970, and the annual reprint anthologies of F&SF and The Year's Best Science Fiction edited by Judith Merril. These anthologies drew much of their content from mainstream or literary sources.

In the 1960s, anthologies of original speculative material began to be published. F&SF ceased accepting poetry in 1977, a gap in the market taken up by the newly established Asimov's. The Science Fiction Poetry Association (SFPA) was founded by Suzette Haden Elgin the following year.

By 1990, Asimov's remained the major news-stand market, but a diverse array of predominantly US-based small press markets had developed, many lasting several decades, and many choosing purely electronic publication post-2000. This is in common with mainstream written poetry in the US over this time.

SFPA awards the Rhysling short- and long-form SF and fantasy poetry awards annually; most winners have been either science fiction or science-themed rather than fantasy or horror. Most Rhysling nominees have been from the small-press poetry journals Dreams & Nightmares, The Magazine of Speculative Poetry, and the SFPA's own journal, Star*Line. Winners are reprinted in the Nebula Awards anthology. The Horror Writers Association has a separate recognition for collections of horror poetry, the Bram Stoker Award.

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