Poetry
While it is true that towards the second half of the 19th century the novel evolved quickly towards Realism, this did not happen to poetry and to drama, whose transformation was less violent and still continued to be infused with Romanticism until the end of the century.
This late Romanticism is more apparent than real; sometimes it lacks depth and the lyric exaltation to which the true romantic abandoned himself. This is due to the social reality of the moment: the time in which the bourgeoisie would consolidate the Restoration of 1875. This society, which was laying the foundations of Capitalism and was taking the first steps of industrialization in the country, did not leave room for the people who admired art for art's sake.
The most representative writers are Gaspar Núñez de Arce and Ramón de Campoamor, sometimes considered as opponents of Romanticism, because Romanticism was still in its final throes as is evidenced in the classic works of Gustavo Adolfo Bécquer and Rosalía de Castro.
Read more about this topic: Spanish Realist Literature
Famous quotes containing the word poetry:
“The science of Humboldt is one thing, poetry is another thing. The poet to-day, notwithstanding all the discoveries of science, and the accumulated learning of mankind, enjoys no advantage over Homer.”
—Henry David Thoreau (1817–1862)
“Thus all probable reasoning is nothing but a species of sensation. ‘Tis not solely in poetry and music, we must follow our taste and sentiment, but likewise in philosophy, When I am convinc’d of any principle, ‘tis only an idea which strikes more strongly upon me. When I give the preference to one set of arguments above another, I do nothing but decide from my feeling concerning the superiority of their influence.”
—David Hume (1711–1776)
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)