Soundtrack - Origin of The Term

Origin of The Term

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.

The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover of the music.

Read more about this topic:  Soundtrack

Famous quotes containing the words origin of the, origin and/or term:

    The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.
    Georges Bataille (1897–1962)

    All good poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity.
    William Wordsworth (1770–1850)

    There are other letters for the child to learn than those which Cadmus invented. The Spaniards have a good term to express this wild and dusky knolwedge, Grammatica parda, tawny grammar, a kind of mother-wit derived from that same leopard to which I have referred.
    Henry David Thoreau (1817–1862)