Plot
The first of the two characters to be introduced is "You". He is described as a local tourist---"not that sort of tourist" but a backpacking one "wearing strong sensible sports shoes and a backpack with shoulder straps". He seeks out the elusive Lingshan, a sacred mountain.
"You" has long lived in the city, but yearns for a rural existence from the past He shuns the idea of settling for "a peaceful and stable existence" where one wants to "find a not-too-demanding sort of a job, stay in a mediocre position, become a husband and a father, set up a comfortable home, put money in the bank and add to it every month so there'll be something for old age and a little left over for the next generation".
"You" meets up with another wanderer, a troubled and emotional "She". And so "You"'s journey also becomes a journey into an erotic relationship. "You" also travels inwards as he explores his powers as a storyteller. Later in "You"'s story, "She" departs "as if in a story, as if in a dream".
Meanwhile, "I" is a writer and academic who travels to Sichuan after having been misdiagnosed of a terminal lung cancer. He wants to take a break and start looking for an "authentic life"—meaning the opposite of that of the state's concept of real life.
The characters' sense of humanity is revealed during their quest. "I" realizes that he still craves the warmth of human society, despite its anxieties.
Read more about this topic: Soul Mountain
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)