Career
Terry was born in Greensboro, North Carolina. His father, a farmer, taught him to play basic blues harp as a youth. He sustained injuries to his eyes and lost his sight by the time he was 16, which prevented him from doing farm work himself. In order to earn a living Terry was forced to play music. He began playing in Shelby, North Carolina. After his father died he began playing in the trio of Piedmont blues-style guitarist Blind Boy Fuller. When Fuller died in 1941, he established a long-standing musical relationship with Brownie McGhee, and the pair recorded numerous songs together. The duo became well-known among white audiences, as they joined the growing folk movement of the 1950s and 1960s. This included collaborations with Styve Homnick, Woody Guthrie and Moses Asch, producing Folkways Records (now Smithsonian/Folkways) classic recordings.
In 1938 Terry was invited to play at Carnegie Hall for the first From Spirituals to Swing concert, and later that year he recorded for the Library of Congress. In 1940 Terry recorded his first commercial sides. Some of his most famous works include "Old Jabo" a song about a man bitten by a snake and "Lost John" in this he demonstrates his amazing breath control .
Despite their fame as "pure" folk artists, in the 1940s, Terry and McGhee fronted a jump blues combo with honking saxophone and rolling piano that was variously called Brownie McGhee and his Jook House Rockers or Sonny Terry and his Buckshot Five.
Terry was also in the 1947 original cast of the Broadway musical comedy, Finian's Rainbow.
Terry died from natural causes at Mineola, New York, in March 1986, the year he was inducted into the Blues Hall of Fame. He died three days before Crossroads was released in theaters.
Read more about this topic: Sonny Terry
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)