Reception
First reactions to the Song of the Bell were without exception positive. Its success was attributed to each person’s being able to find meaning in it. At a solemn meeting of the Royal Academy in Schiller Year 1859, Jacob Grimm praised “this incomparable poem, far superior to what other peoples can offer,” and declared it to be a national symbol of unity ). But despite great enthusiasm for Schiller’s longest poem there was also considerable criticism. It was too emotional, to lofty, too garrulous; people criticized technical details, and over 100 parodies were written. Those of the 19th century were not critical of the original, which was greatly admired, but instead strived to make use of this very well known poem for their own ends. Many Bell parodies shifted the observations about the production process to the production of food and drinks like bread, beer and coffee.
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)