Fiction
Within the novel Life, the Universe and Everything of Douglas Adams's "The Hitchhiker's Guide to the Galaxy" his character Ford Prefect describes Somebody Else's Problem as:
An SEP is something we can't see, or don't see, or our brain doesn't let us see, because we think that it's somebody else's problem.... The brain just edits it out, it's like a blind spot. If you look at it directly you won't see it unless you know precisely what it is. Your only hope is to catch it by surprise out of the corner of your eye.The narration then explains:
The technology involved in making something properly invisible is so mind-bogglingly complex that 999,999,999 times out of a billion it's simpler just to take the thing away and do without it....... The "Somebody Else's Problem field" is much simpler, more effective, and "can be run for over a hundred years on a single torch battery." This is because it relies on people's natural predisposition not to see anything they don't want to, weren't expecting, or can't explain.In this case, the Starship Bistromath ("a small upended Italian bistro" with "guidance fins, rocket engines and escape hatches") has been hidden from the crowd watching a Cricket match at Lord's by an SEP field. People may see it, but they take absolutely no notice of it due to the shielding mechanism that does not allow them to view the unique structures of the particular bistro.
The book says that the SEP field is derived from Bistromathics and in particular the concept of an imaginary number called a "recipriversexcluson" whose existence can only be defined as being anything other than itself. Modern science has been slow to investigate this further, though Professor John Wettlaufer (of Yale University) has apparently observed that it is very important for physicists working outside the mainstream "to have a genuine interest in learning about someone else's problem." However, he admitted that "not many people want to do this."
Read more about this topic: Somebody Else's Problem
Famous quotes containing the word fiction:
“The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.”
—Flannery O’Connor (1925–1964)
“It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.”
—Flannery O’Connor (1925–1964)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)