Difficulties Interpreting Homosexuality in Different Cultures
Contemporary scholars caution against applying modern Western assumptions about sex and gender to other times and places; what looks like same-sex sexuality to a Western observer may not be "same-sex" or "sexual" at all to the people engaging in such behaviour. For example, in the Bugis cultures of Sulawesi, a female who dresses and works in a masculine fashion and marries a woman is seen as belonging to a third gender; to the Bugis, their relationship is not homosexual (see sexual orientation and gender identity). In the case of 'Sambia' (a pseudonym) boys in New Guinea who ingest the semen of older males to aid in their maturation, it is disputed whether this is best understood as a sexual act at all. In recent times, scholars have argued that notions of a homosexual and heterosexual identity, as they are currently known in the Western world, only began to emerge in Europe in the mid to late 19th century. Behaviors that today would be widely regarded as homosexual, at least in the West, enjoyed a degree of acceptance in around three quarters of the cultures surveyed in Patterns of Sexual Behavior (1951).
Read more about this topic: Societal Attitudes Toward Homosexuality
Famous quotes containing the words difficulties, interpreting and/or cultures:
“Our achievements speak for themselves. What we have to keep track of are our failures, discouragements, and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end result of a clean forward thrust, and our present difficulties as signs of decline and decay.”
—Eric Hoffer (1902–1983)
“Drawing is a struggle between nature and the artist, in which the better the artist understands the intentions of nature, the more easily he will triumph over it. For him it is not a question of copying, but of interpreting in a simpler and more luminous language.”
—Charles Baudelaire (1821–1867)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)