History
The policy was enforced in Poland between 1949 and 1956 amidst the wave of gross human rights abuses committed by the state security forces. It involved all domains of culture including visual and literary arts, though its most spectacular achievements were made in the field of architecture. The objectives of this new trend were explained in a 1949 resolution of the National Council of Party Architects. Architecture was declared a key weapon in the creation of a new social order. It was intended to help spread the communist ideology by influencing citizens' consciousness as well as their outlook on life.
During this massive undertaking, a crucial role fell to designers perceived not as merely architects creating streets and edifices, but rather as "engineers of the human soul". The idea extended beyond aesthetics and into principles of urban design meant to express grandiose expectations and arouse feelings of stability and political power.
Read more about this topic: Socialist Realism In Poland
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“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
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“Racism is an ism to which everyone in the world today is exposed; for or against, we must take sides. And the history of the future will differ according to the decision which we make.”
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