History
The policy was enforced in Poland between 1949 and 1956 amidst the wave of gross human rights abuses committed by the state security forces. It involved all domains of culture including visual and literary arts, though its most spectacular achievements were made in the field of architecture. The objectives of this new trend were explained in a 1949 resolution of the National Council of Party Architects. Architecture was declared a key weapon in the creation of a new social order. It was intended to help spread the communist ideology by influencing citizens' consciousness as well as their outlook on life.
During this massive undertaking, a crucial role fell to designers perceived not as merely architects creating streets and edifices, but rather as "engineers of the human soul". The idea extended beyond aesthetics and into principles of urban design meant to express grandiose expectations and arouse feelings of stability and political power.
Read more about this topic: Socialist Realism In Poland
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“All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.”
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