History
One of the artist's last Madonnas, the painting was commissioned by Pope Julius II in 1512 in honor of his late uncle, Pope Sixtus IV, as an altarpiece for the Benedictine basilica of the Monastery of San Sisto in Piacenza, a church with which the Rovere family had a long-standing relationship. It was their requirement that the image contain both Saint Sixtus and Saint Barbara. Legend has it that when Antonio da Correggio first laid eyes on the piece, he was inspired to cry, "And I also, I am a painter!"
Read more about this topic: Sistine Madonna
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That human history should not be shortened.”
—Robert Frost (1874–1963)
“In history the great moment is, when the savage is just ceasing to be a savage, with all his hairy Pelasgic strength directed on his opening sense of beauty;—and you have Pericles and Phidias,—and not yet passed over into the Corinthian civility. Everything good in nature and in the world is in that moment of transition, when the swarthy juices still flow plentifully from nature, but their astrigency or acridity is got out by ethics and humanity.”
—Ralph Waldo Emerson (1803–1882)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)