Influence
Thomson has said that his painting was the idea that Stella Vine used for her painting of Princess Diana, Hi Paul Can You Come Over, that launched her to fame when it was bought by Charles Saatchi in 2004. Three years before, she had been a member of the Stuckist group and also briefly married to Thomson, who said that she was aware of the media appeal of the idea, as he had shown her press cuttings of the painting.
He said that she had not previously done a painting in that way and that "Her painting of Princess Diana was based on the same idea as my painting Sir Nicholas Serota Makes an Acquisitions Decision — namely to imagine what a famous person is thinking and write the words next to a portrait of them. She has made an intelligent, innovative and personal interpretation of influences to form her own identity, which is what all artists do. It is only fair and honest to acknowledge there was this help and there has been an influence." Vine refutes the idea that Thomson and the Stuckists had any role to play in her development, citing her inspiration instead as Sophie von Hellerman, Elizabeth Peyton, Anna Bjerger, Karen Kilimnik and Paul Housley
Thomson also drew a comparison between his and Vine's painting and a later work, Break Art Free, by Gina Bold: "You can't deny there's a connection between those works, but they are all also works with a strong individual identity. You certainly wouldn't say it’s plagiarism, but they spring from the same underlying idea." Mark D in turn made a satirical version of Vine's painting, substituting Victoria Beckham for Princess Diana.
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Famous quotes containing the word influence:
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—Polly Berrien Berends (20th century)
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“Who shall set a limit to the influence of a human being? There are men, who, by their sympathetic attractions, carry nations with them, and lead the activity of the human race. And if there be such a tie, that, wherever the mind of man goes, nature will accompany him, perhaps there are men whose magnetisms are of that force to draw material and elemental powers, and, where they appear, immense instrumentalities organize around them.”
—Ralph Waldo Emerson (1803–1882)