Silver Pictures - Films

Films

Year Film Director
1985 Brewster's Millions Walter Hill
Weird Science John Hughes
Commando Mark L. Lester
1986 Jumpin' Jack Flash Penny Marshall
1987 Lethal Weapon Richard Donner
Predator John McTiernan
1988 Die Hard
Action Jackson Craig R. Baxley
1989 Road House Rowdy Herrington
Lethal Weapon 2 Richard Donner
1990 Die Hard 2 Renny Harlin
The Adventures of Ford Fairlane
Predator 2 Stephen Hopkins
1991 Hudson Hawk Michael Lehmann
Ricochet Russell Mulcahy
The Last Boy Scout Tony Scott
1992 Lethal Weapon 3 Richard Donner
1993 Demolition Man Marco Brambilla
1994 The Hudsucker Proxy Joel and Ethan Coen
Richie Rich Donald Petrie
1995 Assassins Richard Donner
Fair Game Andrew Sipes
1996 Executive Decision Stuart Baird
1997 Fathers' Day Ivan Reitman
Conspiracy Theory Richard Donner
1998 Lethal Weapon 4
1999 The Matrix The Wachowskis
2000 Dungeons & Dragons Courtney Solomon
Romeo Must Die Andrzej Bartkowiak
2001 Exit Wounds
Swordfish Dominic Sena
2003 Cradle 2 the Grave Andrzej Bartkowiak
The Matrix Reloaded The Wachowskis
The Matrix Revolutions
2005 Kiss Kiss Bang Bang Shane Black
2006 V for Vendetta James McTeigue
2007 The Invasion Oliver Hirschbiegel
James McTeigue
The Brave One Neil Jordan
Fred Claus David Dobkin
2008 Speed Racer The Wachowskis
2009 Ninja Assassin James McTeigue
Sherlock Holmes Guy Ritchie
2010 The Book of Eli The Hughes Bros.
2011 The Factory Morgan O'Neill
Sherlock Holmes: A Game of Shadows Guy Ritchie
2012 Project X Nima Nourizadeh
El Gringo Eduardo Rodriguez
The Day Trader TBA
An untitled LEGO movie

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Famous quotes containing the word films:

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)