Shakespeare in Performance

Shakespeare In Performance

Life

  • Plays
  • Collaborations
  • In performance

Poems

  • Sonnets
  • Style

Influence

  • Reputation
  • Timeline of criticism

Speculation

  • Authorship question
  • Religion
  • Sexuality

Portraits

Works

  • Bibliography
  • Chronology of plays

Thousands (perhaps even millions) of performances of William Shakespeare's plays have occurred since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage (who played the title role in the first performances of Hamlet, Othello, Richard III and King Lear), Richard Cowley, and William Kempe.

Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the Puritan rulers. After the English Restoration, Shakespeare's plays were performed in playhouses, with elaborate scenery, and staged with music, dancing, thunder, lightning, wave machines, and fireworks. During this time the texts were "reformed" and "improved" for the stage, an undertaking which has seemed shockingly disrespectful to posterity.

Victorian productions of Shakespeare often sought pictorial effects in "authentic" historical costumes and sets. The staging of the reported sea fights and barge scene in Antony and Cleopatra was one spectacular example. Such elaborate scenery for the frequently changing locations in Shakespeare's plays often led to a loss of pace. Towards the end of the 19th century, William Poel led a reaction against this heavy style. In a series of "Elizabethan" productions on a thrust stage, he paid fresh attention to the structure of the drama. In the early 20th century, Harley Granville-Barker directed quarto and folio texts with few cuts, while Edward Gordon Craig and others called for abstract staging. Both approaches have influenced the variety of Shakespearean production styles seen today.

Read more about Shakespeare In Performance:  Performances During Shakespeare's Lifetime, Interregnum and Restoration Performances, 18th Century, 19th Century, 20th Century, 21st Century, Foreign Performances of Shakespeare, Shakespeare On Screen, Dress and Design, See Also

Famous quotes containing the words shakespeare and/or performance:

    Thy due from me
    Is tears and heavy sorrows of the blood,
    Which nature, love, and filial tenderness
    Shall, O dear father, pay thee plenteously.
    —William Shakespeare (1564–1616)

    Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They can’t even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.
    Norman Douglas (1868–1952)