Plot
Azuri is to marry Unagi, and despite Thalo's efforts to remain indifferent, Thalo isn't happy. He does, however, "stand by" while the Eel Prince courts the Orcan Princess, all the while he and Azuri try to convince themselves that they are not actually in love. At the ball to celebrate Unagi's arrival to the kingdom of Orca, Azuri performs an ancient Orcan Bridal Ritual. With her Breath Blast Attack, she shatters the ceremonial ice platform on which she danced with a single note.
In Volume 2, things heat up as Prince Unagi notices the sweet nothings that Princess Azuri and Thalo are unable to hide. He sets in motion a plan to drive Thalo out of the kingdom, by setting him up to take the fall for crimes the young Orcan didn't commit. His servant Scample sabotages the Great Ballroom to collapse in on itself while Thalo and Azuri are on top of it, so that Thalo will take the blame.
In Volume 3 (never published), Unagi's real reasons for setting up the marriage between himself and Princess Azuri become clear. He intends to marry the princess and murder the queen, thereby assuming rule of both kingdoms. Azuri finds out and runs away before they can be married, stalling his plan. She seeks out Thalo, who was turned into a human and banished from the kingdom to live on land—a cruel joke to any mer-person.
Read more about this topic: Sea Princess Azuri
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)