Music Historical Explanations
Some writers have proposed that scat has its roots in African musical traditions. In much African music, "human voice and instruments assume a kind of musical parity" and are "at times so close in timbre and so inextricably interwoven within the music’s fabric as to be nearly indistinguishable". Dick Higgins likewise attributes scat singing to traditions of sound poetry in African-American music. In West African music, it is typical to convert drum rhythms into vocal melodies; common rhythmic patterns are assigned specific syllabic translations. However, this theory fails to account for the existence—even in the earliest recorded examples of scatting—of free improvisation by the vocalist. It is therefore more likely that scat singing evolved independently in the United States.
Others have proposed that scat singing arose from jazz musicians' practice of formulating riffs vocally before performing them instrumentally. (The adage "If you can’t sing it, you can’t play it" was common in the early New Orleans jazz scene.) In this manner, soloists like Louis Armstrong became able to double as vocalists, switching effortlessly between instrumental solos and scatting.
Read more about this topic: Scat Singing
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