Setting
Scarlet Traces is based on the premise that Britain was able to develop alien technology, abandoned after the abortive Martian invasion of The War of the Worlds, to establish economic and political dominance over the remainder of the world.
The artwork shows an imposition of futuristic devices on early 20th century society. In the first series, set in 1908, London cabbies and the Household Cavalry have swapped their horses for mechanical devices with spiderlike legs; homes are heated and lit by modified versions of the Martian heat ray; the pigeons of Trafalgar Square are thinned out by miniature Martian war machines. In the sequel, Britain of the late 1930s is recreated along fairly recognisable lines but with an additional layer of alien derived technology and a political agenda that has modern parallels.
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Famous quotes containing the word setting:
“One of my playmates, who was apprenticed to a printer, and was somewhat of a wag, asked his master one afternoon if he might go a-fishing, and his master consented. He was gone three months. When he came back, he said that he had been to the Grand Banks, and went to setting type again as if only an afternoon had intervened.”
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